Posted by: Ritchie White @shotgunborivers
Pulp magazines were originally published from 1896 through the 1950s. The typical pulp magazine was seven inches wide by ten inches high, half an inch thick, and 128 pages long. Pulps were printed on cheap paper with ragged, untrimmed edges. The term pulp derives from the cheap wood pulp paper on which the magazines were printed. Magazines printed on higher quality paper were called “glossies” or “slicks”. In their first decades, pulps were most often priced at ten cents per magazine, while competing slicks were 25 cents apiece. Pulps were the successor to the penny dreadfuls, dime novels, and short fiction magazines of the 19th century. Although many respected writers wrote for pulps, the magazines are best remembered for their lurid and exploitative stories and sensational cover art.
Western Story Magazine was a pulp magazine published by Street & Smith, which ran from 1919 to 1949.It was the first of numerous pulp magazines devoted to Western fiction. In its heyday Western Story Magazine was one of the most successful pulp magazines; in 1921 the magazine was selling over half a million copies each issue.
Western Story Magazine began when Street & Smith executive Henry Ralston decided to convert one of the company’s nickel weeklies, New Buffalo Bill Weekly, into a pulp. Ralston installed Frank Blackwell as editor of the new magazine. The magazine attracted a number of famous Western authors, including Charles Alden Seltzer, H. Bedford-Jones, Stewart Edward White, W. Ryerson Johnson and William MacLeod Raine. The November 25th, 1920 issue was the first issue to carry the work of Max Brand (writing under the pseudonym George Owen Baxter). Brand’s work would dominate the magazine in the next decade; he would write dozens of stories for Western Story Magazine both under his own name and several pseudonyms. Western Story Magazine was also prominent in publishing material by women writers, including B. M. Bower and Cherry Wilson.
In the 1930s, the publication’s roster of authors expanded to include Walt Coburn, William Colt MacDonald and W. C. Tuttle, while noted pulp illustrator Walter M. Baumhofer contributed several covers.
In the late 1930s, Blackwell was succeeded as editor by John Burr, who edited the magazine until it ceased publication in 1949. to read more about the original western pulps visit The western Story on pulpmags.org.
A new chapter in the western pulps has arrived in ePulps, Well what in tarnation is an ePulp?
Well,I’ll tell ya, as explained on Rope and Wire an ePulp is a western magazine in the style of the old western pulps like, Ace-High, Cowboy Stories or Zane Grey Western Magazine, however in electronic format. Since 2011 Rope and Wire has published four wonderful ePulps. They have the same great covers as the old pulps once did, and new stories come alive once again in each one to tell the traditional style stories of the old west, the danger, suspense, intrigue and deception as they do in Christopher Scott’s Rope and Wire’s Western Short Stories.
What does the future hold for ePulp’s, will they continue to make a comeback? I know I plan on reading them, and after doing some research, I may attempt to even write one.
What are thoughts and comments on the ePulp? Will you read them?