Western Authors

Good Sunday Morning

Good Morning everyone, thanks for stopping by, I would like to invite you to my virtual book launch today. I will be discussing both books; What Happened to me, and my new western Fiction, Letters From The Grave.

We will be playing some trivia, Q&A, and some other fun giveaways. all are welcome, so grab your favorite drink, your latte, and favorite music list and join in on the fun, and the memories.

You can join us here on my Virtual Book Launch Party for What Happened To Me, or use the QR code. Looking forward to seeing you there.

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Categories: Current Events, Firefighters, History, Letters from the grave, Western, Western Authors, Writing | Tags: , , , , , , | Leave a comment

Launching GoFundme Campaign

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I have launched a Gofundme Campaign to raise funds needed to publish my Laramie Taylor Saga, beginning with Laramie’s Thunder. while I am well under way at finishing the rough draft. I am in need of funding to travel to conferences, and author events to find the right publishers to take on my project. I am asking you to my readers, supporters, fellow Western authors, and western enthusiasts abroad to Fund Laramie’s Thunder. visit http://www.gofundme.com/FundLaramiesThunder to give for this wonderful trilogy that I have pioneered from the beginning, and help me in my journey to becoming a successful author.

Thank you to all of my readers, and PALS.

Categories: Cowboy Code, Current Events, Laramie Taylor Series, Western, Western Authors, Writing | Tags: , , , , , , , , , , , | Leave a comment

Remember Purgatory?

written by Shotgun Bo Rivers @shotgunborivers

Remember Purgatory the 1999 western fantasy film? Looking through my western collection the other day I stumbled upon my DVD copy of Purgatory. one of my personal favorites. Th e fantasy that maybe the old west outlaws were held up in some in between to live and prosper and seek remorse from heaven. Sure it certainly is not your every day western film, but if you as a writer could go and visit the town of Refugee, and get the stories from the outlaws themselves.

In the film Purgatory; The Old West meets the Twilight Zone as a band of desperadoes led by Blackjack Britton, are on the run after a failed robbery. and ride into the town of Refuge. It is immediately noticeable that something is different as the town marshal doesn’t carry a gun and the gang is offered free room, food, and drink but are cautioned not to swear. Slowly, the youngest member of the gang realizes that all the townspeople are Wild Bill Hickok, Doc Holiday, Billy the Kid and other dead gun-fighters that he has read about in his dime novels.  When a stagecoach arrives with the woman,  killed during their bank robbery, Sonny realizes the truth about Refuge. Sonny also meets a young woman, whom he learns was hung, that he falls in love with. This pits him and the now non-violent gun-fighters against the gang who decide that they can destroy the town. However they learn that there may be greater powers involved than their own.

Is there a possibility of a place between Heaven and Hell? and if there is would it be like Refuge? what are you thoughts of the TV Film Purgatory?

 

Categories: Western, Western Authors | Tags: , , , , , , , | Leave a comment

Will Rogers Born 134 years ago

On this day, the cowboy philosopher and humorist Will Rogers, one of the most beloved entertainers of the early 20th century, is born on a ranch in Cherokee Indian territory.

The son of a respected mixed-blood Cherokee couple, William Penn Adair Rogers grew up riding and roping on the plains of Oklahoma. An indifferent student, he earned only average grades in school, but he was by no means the ill-educated common man that he later liked to pretend. He was, in fact, highly literate and well read. In 1898, he left his family ranch to work as a Texas cowboy, and then traveled to Argentina where he spent a few months as a gaucho. But Rogers discovered his real talent when he joined Texas Jack’s Wild West show in 1902 as a trick roper and rider under the stage name “The Cherokee Kid.” For all his skill with ropes and horses, Rogers soon realized that audiences most enjoyed his impromptu jokes and witty remarks. Eventually, Rogers began to focus on making humorous comments on world events and created a popular vaudeville act with which he traveled the country.

In 1919, Rogers’ first book, The Peace Conference, was published. In the 1920s, he achieved national fame with a series of movie appearances, radio shows, lecture tours, magazine articles, and regular newspapers columns. Amazingly prolific, Rogers eventually wrote seven books, an autobiography, almost 3,000 short commentaries called “daily telegrams,” more than 1,000 newspaper articles, and 58 magazine articles. Rogers’ warm, folksy manner and penetrating wit were hugely popular during the Depression, and his concern for the welfare of average folks was genuine. He contributed frequent charitable performances in support of the victims of floods, hurricanes, and earthquakes worldwide.

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Will Rogers, photograph taken before 1900

 

Hollywood discovered Rogers in 1918, as Samuel Goldwyn gave him the title role in Laughing Bill Hyde. A three-year contract with Goldwyn, at triple the Broadway salary, moved Rogers west. He bought a ranch in Santa Monica and set up his own production company. While Rogers enjoyed film acting, his appearances in silent movies suffered from the obvious restrictions of silence—not the strongest medium for him, having gained his fame as a commentator on stage. It helped somewhat that he wrote a good many of the title cards appearing in his films. In 1923, he began a one-year stint for Hal Roach and made 12 pictures. Among the films he made for Roach in 1924 were three directed by Rob Wagner: Two Wagons Both Covered, Going to Congress and Our Congressman. He made two other feature silents and a travelogue series in 1927, and did not return to the screen until his time in the ‘talkies‘ began in 1929.

He made 48 silent movies, but with the arrival of sound in 1929 he became a top star in that medium. His first sound film, They Had to See Paris (1929), finally gave him the chance to exercise his verbal magic. He played a homespun farmer (State Fair) in 1933, an old-fashioned doctor (Dr. Bull) in 1933, a small town banker (David Harum ) in 1934, and a rustic politician (Judge Priest) in 1934. He was also in County Chairman (1935), Steamboat ‘Round the Bend (1935), and In Old Kentucky (1935). His favorite director was John Ford.

Rogers appeared in 21 feature films alongside such noted performers as Lew Ayres, Billie Burke, Richard Cromwell, Jane Darwell, Andy Devine, Janet Gaynor, Rochelle Hudson, Boris Karloff, Myrna Loy, Joel McCrea, Hattie McDaniel, Ray Milland, Maureen O’Sullivan, ZaSu Pitts, Dick Powell, Bill “Bojangles” Robinson, Mickey Rooney, and Peggy Wood. He was directed three times by John Ford. He appeared in three films with his friend Stepin Fetchit (aka Lincoln T. Perry): David Harum (1934), Judge Priest (1934) and The County Chairman (1935).[15]

With his voice becoming increasingly familiar to audiences, he was able to basically play himself, without normal makeup, in each film, managing to ad-lib and even work in his familiar commentaries on politics at times. The clean moral tone of his films led to various public schools taking their classes, during the school day, to attend special showings of some of them. His most unusual role may have been in the first talking version of Mark Twain‘s novel A Connecticut Yankee in King Arthur’s Court. His popularity soared to new heights with films including Young As You Feel, Judge Priest, and Life Begins at 40 with Richard Cromwell and Rochelle Hudson.

On August 15, 1935, Rogers was on a flight to Asia with the famous pilot Wiley Post when the craft developed engine troubles and crashed near Point Barrow, Alaska. The crash killed both men. Rogers was only 55.

Categories: History, Western, Western Authors, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Curly Bill Kills Marshal Fred White 133 years ago.

A drunken William Brocius Graham, known better as “Curly Bill” Brocius, killed Tombstone, Arizona Territory Marshal Fred White on this date October 28th 1880, when White tried to arrest him. Marshal Fred White encountered Brocius at the East end of town, on a dark street in a vacant lot where the Birdcage Theater now stands. Brocius was intoxicated and he and his companions were firing pistols into the air. It is speculated that the pistol’s hammer was “half-cocked” over a live round (it was later found to have contained six live rounds,) and when White grabbed the barrel and pulled, the weapon, it discharged, shooting White in the groin area. Wyatt Earp, who saw the shooting and flash but could not clearly see the action in the dark. However Wyatt pistol-whipped Brocius, knocking him unconscious, and arrested him.  When the new day dawned, the rowdy makers went before the judge, were fined for violating city ordinances, and released. Brocius; however, asked for a postponement until he could get a lawyer. Later he appeared with Judge Haynes of Tucson, as his counsel, and as a lynch mob was forming in the camp to hang Brocius for the shooting of the popular marshal, whose condition had worsened and looked as if he might die, Brocius was ordered to be taken to Tucson to be held in protective custody. As Wyatt Earp and George Collins headed to Tucson with Brocius in a buggy, they were escorted out of town by Virgil and Morgan Earp.Brocius was said to have terribly regretted the shooting of White, whom he apparently liked. White lingered for two days, dying on October 30th. However, prior to his death, he gave testimony that ultimately led to Brocius being cleared of any wrongdoing. White stated that the pistol fired accidentally, and that Brocius, intoxicated, evidently did not realize his pistol was cocked. Despite his regret, Brocius did not accept being pistol-whipped by Wyatt Earp during his arrest. This was a factor that led to increasing tensions between the Earps and the Cow-boy element. Unlike recent Hollywood portrayals of White as an older man, the first Marshal of Tombstone, was only 31 or 32 when he died.

Brocius was eventually acquitted of any any wrong-doing, with Judge Nuegass commenting that the shooting was “Homocide by Misadventure” or, in other words, an accident. Brocius was released from custody and despite Wyatt’s statement that helped him to be freed, Brocius could not forgive Wyatt for the pistol whipping. This was just one more of the many incidents that increased the ever mounting tension between the Earps and the Cowboy faction.

Some claim that the Ghost of Fred White still haunts the street where he was shot. https://borivers.files.wordpress.com/2013/10/99feb-tombstoneallenstreet1882-500.jpg

The next day the Tombstone Epitaph read “About 12:30 last night a series of pistol shots startled the late goers on the streets, and visions of funerals, etc., flitted through the brain of the Epitaph local, and the result proved that his surmises were correct.  The result in a few words is as follows: A lot of Texas cow boys, as they are called, began firing at the moon and stars on Allen street near Sixth, City Marshal White, who happened to be in the neighborhood, interfered to prevent violation of the city ordinance, and was ruthlessly shot by one of the number.  Deputy Sheriff Earp, who is ever to the front when duty calls, arrived just in the nick of time.  Seeing the Marshal fall, he promptly knocked his assailant down with a six shooter and as promptly locked him up; and with the assistance of his brothers Virgil and Morgan went in pursuit of the others.  That he found them, an inventory of the City Prison this mourning will testify.  Marshal White was shot in the left groin, the ball passing nearly through, and being cut from the buttock by Dr. Matthews.  The wound is a serious though not fatal one.  Too much praise cannot be given to the Marshal for his gallant attempt to arrest the violators of the ordinance, nor to Deputy Sheriff Earp and his brothers for the energy displayed in bringing in the malefactors to arrest.  At last accounts, 3 p.m., Marshal White was sleeping, and strong hopes of his ultimate recovery were expected.”
Categories: History, Western, Western Authors | Tags: , , , , , , , , , , , , , , , , , , | Leave a comment

Four Dead in Five Seconds(Story of Dallas Stoudenmire)

Researched By Shotgun Bo Rivers @shotgunborivers

El Paso was in the grip of change from a frontier border town to a major stopping point for the railroads. The town fathers recognized a need to realign their town’s image from that of a lusty, violent, and crime ridden backwater to a modern thriving city. After much in the way of trouble hiring and keeping a town marshal, they went national in their search for someone up to the task of taming the miscreants and insuring the money kept flowing into both the hands of local merchants and the out of town investors bringing yet more wealth into the area. Globe Restaurant owner Stanley “Doc” Cummings, who lived in El Paso, Texas convinced his Brother-in-law Dallas Stoudenmire that he should come to El Paso and take up the marshal’s position.   Stoudenmire fit the bill to tame the tough town of El Paso. In early April, 1881, Stoudenmire traveled to El Paso and was hired almost immediately, starting his new position on April 11th. He was the sixth town marshal in just eight months.

It was only three days later that the “Four Dead in Five Seconds” gunfight happened. Sometimes referred to as the “Battle of Keating’s Saloon,” the “Four Dead in Five Seconds Gunfight” occurred on April 14, 1881. The events that led up to the gunfight began when the Manning Brothers had stolen a herd of of about 30 head of cattle in Mexico and drove them into Texas to sell. When Texas Ranger Ed Fitch and two Mexican farmhands by the names of Sanchez and Juarique investigated, the two Mexican men where killed in an ambush, said to be Johnnie Hale’s men that killed them. This led to a Mexican posse of more than 75 men to cross into Texas seeking an investigation.

At the request of the Mexican posse, Gus Krempkau, an El Paso constable, accompanied the posse to the ranch of Johnny Hale, a local ranch owner and known cattle rustler. There, they found the bodies of the two Mexican farmhands. The El Paso Court soon held an inquest into the deaths of the two men, with Krempkau acting as an interpreter.

Afterwards, Constable Krempkau went next door to Keating’s Saloon to retrieve his rifle and pistol, where he’d left it while appearing in court. It is speculated that Krempkau exited the saloon and placed his rifle in a saddle holster. A confrontation erupted between Krempkau and ex-City Marshal, George Campbell, who was a friend of John Hale’s. Also in the saloon was Hale himself, who was unarmed, heavily intoxicated, and also upset with Krempkau, because of his involvement in the investigation, and poor interpretation. Suddenly, the drunken Hale, pulled one of Campbell’s two pistols, shouting, “George, I’ve got you covered!” Hale then shot Krempkau, who fell wounded against the saloon door, or in the street, the story becomes contradictory at this point, because It was also said that this portion of the event may have happened outside, where hale jammed a six-gun into Krempkau’s chest and shot the lawmen in the lungs.

Bringing himself to a sobering reality, Hale had realized what he did, and ran behind a post in front of the saloon just as Marshal Dallas Stoudenmire appeared with his pistols raised. Stoudenmire then shot once but the bullet went wild, hitting an innocent Mexican bystander. in my research I also discovered that the Mexican bystander, may have also been a fruit peddler. When Hale peeked out from behind the post, Stoudenmire fired again, hitting Hale between his eyes killing him instantly. In the meantime, Campbell saw Hale go down, and exited the saloon, waving his gun yelling, “Gentlemen, this is not my fight!” However, the wounded Krempkau disagreed, even though mortally wounded and down, Krempkau managed a shot at Campbell, striking him in the wrist and in the toe. At the same time, Stoudenmire whirled and also fired on Campbell, pumping three bullets into his guts.  Campbell crashed to the dusty street, shouting at Stoudenmire, “You big Son of a Bitch, you have murdered me!” When the dust cleared, both George Campbell and Constable Krempkau lay dead.https://encrypted-tbn3.gstatic.com/images?q=tbn:ANd9GcSydf6ddwbfHJI0UqGkN9tiRBjoQ4c-LBfBY5Kei2jHrEVAKLC4

In less than five seconds in a near comic opera gun battle, four men lay dead, and Dallas Stoudenmire the only living man left in the gunfight. In other contradictory research I also learned that Gus Krempkau may not have been the first shot. However, the majority can agree that the event was very quick; Stoudenmire was the only survivor, Hale was drunk, and Campbell indeed proclaimed the before stated words.

At the time, the gunfight received a lot of national publicity, reaching newspapers as far east as New York city, and as far west as San Fransisco. It is also rumored that years later, an author in search of a story contacted one of the living participants of the incident. The ailing gentleman refused to speak, and the author elected as a second choice to interview Wyatt Earp, and went on to write a best-selling book. Thus, the Gunfight at the OK Corral became a well recognized event, whereas the Four Dead in Five Seconds Gunfight has been on a back shelf awaiting our Hollywood enthusiast’s portrayal.

Readers Interaction::

What do you think, would the story of this famous, and contradictory gunfight be a good film? and how would you capture just five seconds in an epic film? The only way I see it happening would be starting the film with a build up story before the gunfight, and the aftermath which ultimately ended former Texas Ranger Dallas Stoudenmire’s life. What are your thoughts? feel free to comment and thank you for stopping by the Old West in the 21st Century’s blog.

Categories: History, Legend Series, Western, Western Authors | Tags: , , , , , , , , , , , , , , , , | 2 Comments

Dear William Pinkerton, It’s Me Butch Cassidy (Letter from the grave)

The facts surrounding Butch Cassidy’s death are uncertain. On November 3, 1908, near San Vicente in southern Bolivia, a courier for the Aramayo Franke and Cia Silver Mine was conveying his company’s payroll, worth about 15,000 Bolivian pesos, by mule when he was attacked and robbed by two masked American bandits who were believed to be Cassidy and Longabaugh. The bandits then proceeded to the small mining town of San Vicente where they lodged in a small boarding house owned by a local resident miner named Bonifacio Casasola. When Casasola became suspicious of his two foreign lodgers, as well as a mule they had in their possession which was from the Aramayo Mine, identifiable from the mine company logo on the mule’s left flank, Casasola left his house and notified a nearby telegraph officer who notified a small Bolivian Army cavalry unit stationed nearby, which was the Abaroa Regiment. The unit dispatched three soldiers, under the command of Captain Justa Concha, to San Vicente where they notified the local authorities. On the evening of November 6, the lodging house was surrounded by three soldiers, the police chief, the local mayor and some of his officials, who intended to arrest the Aramayo robbers.

When the three soldiers approached the house the bandits opened fire, killing one of the soldiers and wounding another. A gunfight then ensued. At around 2 a.m., during a lull in the firing, the police and soldiers heard a man screaming from inside the house. Soon, a single shot was heard from inside the house, whereupon the screaming stopped. Minutes later, another shot was heard.

The standoff continued as locals kept the place surrounded until the next morning when, cautiously entering, they found two dead bodies, both with numerous bullet wounds to the arms and legs. One of the men had a bullet wound in the forehead and the other had a bullet hole in the temple. The local police report speculated that, judging from the positions of the bodies; one bandit had probably shot his fatally wounded partner-in-crime to put him out of his misery, just before killing himself with his final bullet. Or did they?

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Dear William A. Pinkerton

Hi William Pinkerton, It’s me Robert Leroy Parker, thought I’d drop a letter to you to see how you might be. First I want to say that, I do regret robbing all them trains, but not for your sake, but for my mommas. I know, and I always knew I broke her heart becoming an outlaw, and in some ways know it’s what made her perish as well. I wanted and tried so many times to go straight and seek amnesty, yet I never found it, nor was my pardon granted that I asked for, so many times. I heard tell, that Wyoming spoke of it, however never said anything about it. Well that’s OK, in my book. Wish I had the chance to tell you that I left my boot tracks in a little side canyon along my travels back from Bolivia, near the Hole-in-the-wall. I assume by now that you know I never did succumb to a bullet in San Vicente in 1908, neither did ole Sundance. Percy Seibert, played it good for us didn’t he, telling them Bolivians that was us, just so we could live on without someone chasing us anymore. Truth is them boys laid cold from crossfire; they were just some random boys in the wrong place at the right time. We fled later that night before they came in to verify us dead, little to their knowledge we were on a pair of fresh horses, running for Mexico. I spent some time back home with my family before I traveled to the Northwest, Oregon, and Washington mostly. Heard tell you never stopped looking for us, and was convinced me and Sundance were still in South America, guess our story will live on forever, truth is I never passed till 1938, where my family buried me in an unmarked grave where my father said I could finally Rest in Peace, I wonder would you have dug me up if you knew where I was, would anybody? No matter William. Butch Cassidy, The Sundance Kid, Elzy Lay, Tall Texan, News Carver, Camila Hanks, Laura Bullion, Flat-Nose Curry, Kid Curry, Bob Meeks and the rest of The Wild Bunch will forever remain the last outlaws of the Old West. You remember that William, and tell your Pinkerton’s too for me.

Sincerely Robert Leroy Parker, “Butch Cassidy”.

Regardless of whether Butch and Sundance lived or died, their legacy will forever live on in the old west.

Readers Interaction::

Do you think that Butch Cassidy Lived as his sister revealed in her biography Butch Cassidy, My Brother? Or did he die in San Vicente, Bolivia, alongside his best friend The Sundance Kid?

I think the Outlaw lived on to see his family, and live out his days as he wanted to all along. What are your thoughts as readers?

Categories: History, Letters from the grave, Western, Western Authors, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 9 Comments

Western Comics, to the Revisionist

Posted by: Ritchie White @shotgunborivers

DC Comics

For nearly two decades Western Pulp fiction brought us some of the greatest tales of the American frontier, but by the 1960’s it was beginning to die out with the rise of trade paperback. However the Pulp fiction era brought light to new medium, the comic book. A hybrid medium that allowed illustrations and strongly blended written words to convey the story of the illustrations. Even though the comic book era began in 1933, the western comics didn’t become popular until the 1940’s and 50’s, alongside the pulp magazines.  Due to competition of comic books, and other mediums, the aforementioned Pulp Magazine era had died out.

However the western comics would come to life for more than four decades, even after its decline in the 1960’s, western comics would move into the revisionist western. Favoring realism over the famous romanticism as western always portrayed, the western comics spun quickly into a Weird West style. A literary sub-genre that combined elements of the western genre and other literary genres such as science fiction, horror, occult, and fantasy. By the 1970’s characters such as Jonah Hex and Bat Lash were born, and  lived well into the 1990’s.
Western Comics have since stayed alive within the weird western sub-genre in the new century, and have made something of a comeback. They don’t dominate the market by a long shot.  Jonah Hex comes back to life in the All-star Western in The New 52 as late as 2011, and Bat Lash appearing as late as 2006 in comics, and converted to trade paperback in 2008.

To conclude, I have brought you the rich history of the western genre, and where it was born in the past month, to not only share the romanticism of western literature, but to also announce a huge turn in my writing career. As I have been promising the Laramie’s Series, they have taken a bit of a stall. However to my readers, and fellow western genre authors, in the last few months the gears have not stopped turning, nor have any of my ideas. I am glad to finally announce that my career will be taking me on an unexpected detour. I am planning to come forth with a ePulp mini-series magazine titled “Six-Guns and Tomahawks Magazine”  starring Lash Larue once named Akecheta (Souix for “He is Fighter”) a Native American turned outlaw. Coming in March with 6 short stories, and the wonderful art from my new illustration artist Brooke Presley-Caban.

We are also creating another ePulp series as well, which will blow you all away as I bring in a weird western under a developmental name of  “The Dark Rider” an action packed short story series starring Rex Quade, a gunslinger Cowboy brought back from the dead by Native American Indians to avenge a massacre, with a price to pay.

As a reader and writer what are your thoughts on the history of our genre, and the announcement of my changing gears? Comments are welcome.

Categories: Western, Western Authors, Writing, Writing Technique | Tags: , , , , , , , , , , , , , , , , , , | 9 Comments

Western ePulp’s the modern pulp magazine, What……..?

Posted by: Ritchie White @shotgunborivers

Pulp magazines were originally published from 1896 through the 1950s. The typical pulp magazine was seven inches wide by ten inches high, half an inch thick, and 128 pages long. Pulps were printed on cheap paper with ragged, untrimmed edges. The term pulp derives from the cheap wood pulp paper on which the magazines were printed. Magazines printed on higher quality paper were called “glossies” or “slicks”. In their first decades, pulps were most often priced at ten cents per magazine, while competing slicks were 25 cents apiece. Pulps were the successor to the penny dreadfuls, dime novels, and short fiction magazines of the 19th century. Although many respected writers wrote for pulps, the magazines are best remembered for their lurid and exploitative stories and sensational cover art.

Western Story Magazine was a pulp magazine published by Street & Smith, which ran from 1919 to 1949.It was the first of numerous pulp magazines devoted to Western fiction. In its heyday Western Story Magazine was one of the most successful pulp magazines; in 1921 the magazine was selling over half a million copies each issue.

Western Story Magazine began when Street & Smith executive Henry Ralston decided to convert one of the company’s nickel weeklies, New Buffalo Bill Weekly, into a pulp.  Ralston installed Frank Blackwell as editor of the new magazine. The magazine attracted a number of famous Western authors, including Charles Alden Seltzer, H. Bedford-Jones, Stewart Edward White, W. Ryerson Johnson and William MacLeod Raine. The November 25th, 1920 issue was the first issue to carry the work of Max Brand (writing under the pseudonym George Owen Baxter). Brand’s work would dominate the magazine in the next decade; he would write dozens of stories for Western Story Magazine both under his own name and several pseudonyms. Western Story Magazine was also prominent in publishing material by women writers, including B. M. Bower and Cherry Wilson.

In the 1930s, the publication’s roster of authors expanded to include Walt Coburn, William Colt MacDonald and W. C. Tuttle, while noted pulp illustrator Walter M. Baumhofer contributed several covers.

In the late 1930s, Blackwell was succeeded as editor by John Burr, who edited the magazine until it ceased publication in 1949.  to read more about the original western pulps visit The western Story on pulpmags.org.

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A new chapter in the western pulps has arrived in ePulps, Well what in tarnation is an ePulp?

Well,I’ll tell ya, as explained on Rope and Wire  an ePulp is a western magazine in the style of the old western pulps like, Ace-High, Cowboy Stories or Zane Grey Western Magazine, however in electronic format. Since 2011 Rope and Wire has published four wonderful ePulps. They have the same great covers as the old pulps once did, and new stories come alive once again in each one to tell the traditional style stories of the old west, the danger, suspense, intrigue and deception as they do in Christopher Scott’s Rope and Wire’s Western Short Stories

What does the future hold for ePulp’s, will they continue to make a comeback? I know I plan on reading them, and after doing some research, I may attempt to even write one.

What are thoughts and comments on the ePulp?  Will you read them?

Categories: Western, Western Authors, Writing, Writing Technique | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 5 Comments

Dime Novels-The history of the Western

As a western writer, I have been looking back at our history, even before Zane Grey, and Louis L’Amour. What was the first western? and where did we begin?

Personally I would have to say we got our start as many genres did from the Dime Novel era, from 1860 to 1895 the dime novel served as Americas first paperback, and From gun-slinging heroes to mysteries, the dime novel is notably the beginning of genre fiction. This ideology of the dime novel was particularly apparent in Westerns, in which the heroes always won and the villains were always brutally punished.

Some scholars ahttps://i0.wp.com/www.loc.gov/exhibits/treasures/images/189.1.jpgrgue that dime novel westerns appealed most to young, and working-class men – The mythic West of the cowboy as a place where class boundaries were marked in the industrializing East and the Midwest did not prevail.

Dime novelists helped to popularize the cowboy myth, but as Richard Slotkin notes, he had earlier precedents in American literature – tales about Davy Crockett and Cooper’s Leatherstocking Tales.

The cowboy figure arose out of long literary tradition of frontiersmen that informed his character. Richard Slotkin, in Regeneration through Violence, demonstrates the beginnings of the American myth by carefully tracing the early figure, focusing on the influences of John Filson’s creation of Daniel Boone in 1784 and, building on Filson, James Fenimore Cooper’s The Leatherstocking Tales (1823) (importance also noted in Milton 7-9, 84-87).

Interpretation of the dime novel western actually embodies a world in which the values and practices of the pre-industrial order are given renewed life: a place in which machines still stand in gardens and where everyone is a worker.

As Americans began to mourn the “closing of the frontier,” they simultaneously began to celebrate the cowboy, who quickly became the hero of the mythic West.

It may have been the emergence of modern America, with its urbanization and industrialization, that sparked an additional interest among its people for a past that was more direct, more simple, more easily understood

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The nation had, some held, grown too fast, had lost something in that process; and now there was a yearning to return to that fast-disappearing life, as we know the Cowboy was not always regarded as an American hero. In fact, as late as the 1880s, the were regarded as violent and uncontrollable.

However the Dime Novel was a way to revisit the frontier, and by reading you could simply slip yourself bac

k into a simpler way of life. Today as western authors we spend our time praising the outlaws, and making them hero’s, as well as creating new one’s. We write what the west was about, and bring forth the tales of Buffalo Bill Cody, Wyatt Earp, Doc Holiday, Jesse James, and others, but without the Dime Novel, I think we wouldn’t have the western’s we write today, without the creation of the Dime Novel.

 

Categories: Western, Western Authors, Writing | Tags: , , , , , , , , , , , , , , | 1 Comment

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