Posts Tagged With: Shotgun Bo Rivers

The Legend of Black Bart

Born Charles Boles, Black Bart was known for being a skinny, short and bald, man. To enhance his qualities he took on a supernatural look. He wore a long white linen duster over his clothes, and a flour sack with cutout eye holes over his derby-topped head. Never owning a horse, he walked to his crimes, carrying a shotgun so old and rusty that it wouldn’t shoot. In fact, the weapon was never loaded. Black Bart always worked alone, although he would frequently create decoy gunmen for back-up, placing wooden sticks on boulders to stimulate their rifles. Bart’s strategy was deceptively simple psychology. He would wait at a dangerous bend in the road where the stage was forced to creep along slowly. At just the right moment, he emerged as an apparition in the deepening twilight.  As a gentleman bandit he plagued the stage lines of Wells Fargo and Company for over eight years during the 1870s and 80s. He relied on his quick feet for getaways, melting ghost-like into the brush. His deep, and hollow voice and polite confident manner added to this ghostly effect. Demonstrating a squeamish sense of humor, he frequently left a poem handwritten on foolscap paper in the emptied strongbox, which infuriated Wells Fargo officials. The two most often quoted of these Poems were;

First at the scene of the August 3, 1877, holdup on a stage traveling from Point Arena to Duncan’s Mills it Read:

I’ve labored long and heard for bread
For honor and for riches
But on my corns too long you’ve tread
You fine-haired sons of bitches.
—Black Bart, 1877  The  P O 8

The second verse was left at the site of his July 25, 1878, holdup of a stage traveling from Quincy to Oroville. It read:

Here I lay me down to sleep
To await the coming morrow
Perhaps success, perhaps defeat
And everlasting sorrow

Let come what will, I’ll try it on
My condition can’t be worse
And if there’s money in that box
‘Tis money in my purse.
—Black Bart The  P O 8

The Legend begins in late 1849, when Boles and two of his brothers, David and James, took part in the California Gold Rush. They began mining in the North Fork of the American River in California. Boles mined for only a year before returning home in 1852. He soon made a second trip to the California goldfields, accompanied by his brother David and another brother, Robert. Soon after their arrival tragedy struck and both David and Robert became ill and died in California. After mining for two more years Boles then moved to Illinois, changing the spelling of his surname to Bowles and marrying Mary Elizabeth Johnson. They had four children. By 1860, the couple had made their home in Decatur, Illinois.

The American Civil War began in April 1861. Bowles enlisted in Decatur as a private in Company B, 116th Illinois Regiment, on August 13, 1862. He proved to be a good soldier, rising to the rank of first sergeant within a year. He took part in numerous battles and campaigns, including the Battle of Vicksburg, where he was seriously wounded, and Sherman’s March to the Sea. On June 7, 1865, he was discharged in Washington, D.C., and returned home to Illinois. He had received brevet commissions as both second lieutenant and first lieutenant. After the long years of war, a quiet life of farming held little appeal to Bowles, and he yearned for adventure.
By 1867, he was prospecting again in Idaho and Montana. Little is known of him during this time, but in a letter to his wife in August 1871 he mentioned an unpleasant incident involving some Wells, Fargo & Company employees and vowed to extract revenge. He then stopped writing, and after a time his wife assumed he was dead, which is thought to have been the beginning of his criminal career. Over the next eight years Bowles was known for nearly 30 robberies in Oregon and Northern California, taking the names Black Bart, Charles Bolton, C.E. Bolton and Charley to his friends.

Bart was a Gentleman robber, on his first robbery in Calaveras County one of the passengers was so frightened she tossed out her purse. Bart returned the purse to the Woman and saying “Madam, I do not wish your money, in respect I honor only the good office of Wells Fargo.”

Bart’s list of crimes date from 1875 to 1883 to his capture:

1. July 26, 1875, Calaveras County: Robs stage en route to Milton, four miles from Copperopolis. Taken: $160 in gold notes and contents of a U.S. Mail pouch.

2. Dec. 28, 1875, Yuba County: North San Juan to Marysville stage. Taken: Unknown.

3. June 2, 1876, Siskiyou County: Nighttime robbery on the Roseburg, Oregon, to Yreka, California, route. Taken: $80 plus mail sack contents.

4. Aug. 3, 1877, Sonoma County: Between Fort Ross and Duncan Mills, on Russian River. Taken: $300 in gold coins and a $305 check. Poem: First poem.

5. July 25, 1878, Butte County: Quincy to Oroville stage. Taken: $379 in coins, $200 diamond ring, $25 watch and mail sack cash. Poem: Second poem.

6. July 30, 1878, Plumas County: LaPorte to Oroville stage. Taken: $50 in gold, a silver watch and mail sack cash.

7. Oct. 2, 1878, Mendocino County: Cahto to Ukiah stage. Taken: $40, a watch and money from mail sacks.

8. Oct. 3, 1878, Mendocino County: Covelo to Ukiah stage. Taken: Unknown.

9. June 21, 1879, Butte County: Stage from Forbestown to Oroville. Taken: Unknown.

10. Oct. 25, 1879, Shasta County: Nighttime robbery on the Roseburg, Oregon, to Yreka-Redding, California, stage. Taken: Undisclosed sum from Wells Fargo and $1,400 from mail pouches.

11. Oct. 27, 1879, Shasta County: Alturas to Redding stage. Taken: Unknown.

12. July 22, 1880, Sonoma County: Point Arena to Duncan Mills stage. Taken: Undisclosed sum. Whether robber was Black Bart remains a point of contention.

13. Sept. 1, 1880, Shasta County: Weaverville to Redding stage. Taken: A little more than $100.

14. Sept. 16, 1880, Jackson Cty. OR: Second nighttime robbery of Roseburg, Oregon, to Yreka, California, stage, occurring one mile north of state line. Taken: Approximately $1,000.

15. Sept. 23, 1880, Jackson Cty. OR: Roseburg, Oregon, to Yreka, California, stage, robbed three miles north of border. Taken: Nearly $1,000 and mail sack.

16. Nov. 20, 1880, Siskiyou County: Roseburg, Oregon, to Redding, California, stage, south of state line. Taken: Unknown.

17. Aug. 31, 1881, Siskiyou County: Final robbery of Roseburg, Oregon, to Yreka, California, stage. Taken: Unknown.

18. Oct. 8, 1881, Shasta County: Midnight robbery of Yreka to Redding stage, near Bass Hill. Taken: $60.

19. Oct. 11, 1881, Shasta County: Alturas to Redding stage stops at Montgomery Creek for harness repair and is robbed again. Taken: Unknown.

20. Dec. 15, 1881, Yuba Count: Downieville to Marysville stage. Taken: Wells Fargo reports “small loss.”

21. Dec. 27, 1881, Nevada County: North San Juan to Smartsville stage. Taken: Wells Fargo reports “small loss.”

22. Jan. 26, 1882, Mendocino Cty.: Ukiah to Cloverdale stage. Taken: Unknown.

23. June 14, 1882, Mendocino Cty: Willits to Ukiah stage. Taken: Estimated $300 and mail sack contents.

24. July 13, 1882, Plumas County: Shotgun blasts foil Black Bart at LaPorte to Oroville stage. (A buckshot pellet creases the robber’s forehead, leaving a deep scar.)

25. Sept. 17, 1882, Shasta County: Second robbery of Yreka to Redding stage at Bass Hill. Taken: Thirty-five cents.

26. Nov. 23, 1882, Sonoma County: Lakeport to Cloverdale stage. Taken: $475 and several mail sacks.

27. April 12, 1883, Sonoma County: Lakeport to Cloverdale stage robbed again. Taken: $32.50 and mail sack contents.

28. June 23, 1883, Amador County: Stage from Jackson to Ione. Taken: $750 and mail sack contents.

29. Nov. 3, 1883, Calaveras County: Sonora to Milton stage is stopped at site of first Black Bart holdup in 1875. Taken: Possibly $4,764.

The last holdup took place on November 3rd, 1883, at the site, fittingly enough, of his first holdup, on Funk Hill, just southeast of the present town of Copperopolis.  Black Bart, who had only a few run-ins with armed messengers, was ill prepared for his chance encounter with a hunter, 19-year-old Jimmy Rolleri. Armed with a Henry rifle for his deer hunt, Rolleri had been dropped off on the way up Funk Hill by Sonora-Milton stage driver Reason McConnell, who continued up the incline. Near the top, Black Bart, lying in wait, made his move. At gunpoint, he ordered McConnell to unhitch the horses and continue up the hill while Black Bart went to work on the Wells Fargo box bolted to the floor of the coach. While proceeding with the horses, McConnell spotted Rolleri and signaled to him. Once McConnell informed Rolleri of the situation, the hunter handed over his rifle. McConnell fired twice at Black Bart, missing him both times. Rolleri took the rifle and fired, winging Black Bart in the hand. The gentleman bandit fled, he left behind several personal items, including a pair of eyeglasses, food, and a handkerchief with a laundry mark F.X.O.7. Wells Fargo Detective James B. Hume trailed Black Bart since his stage coach robberies began (who allegedly looked enough like Bart to be a twin brother, mustache included)  found these several personal items at the scene. Using all the evidence, statements, and eyewitness accounts on Black Bart he and Wells Fargo detective Henry Nicholson Morse contacted every laundry in San Francisco, seeking the one that used the mark. After visiting nearly 90 laundry operators, they finally traced the mark to Ferguson & Bigg’s California Laundry on Bush Street. They were able to identify the handkerchief as belonging to none other than Black Bart, who lived in a modest boarding house.

It should be noted that there is a manuscript written some 20 years after the robbery by stage driver Reason McConnell in which McConnell says that he fired all four shots at Bowles. The first was a misfire, he thought the second or third shot hit Bowles, and he knew that the fourth one hit him. Bowles only had the wound to his hand, and if the other shots hit his clothing, Bart was unaware of it.

Bart described himself as a “mining engineer” and made frequent “business trips” that happened to coincide with the Wells Fargo robberies. After initially denying he was Black Bart, Bowles eventually admitted that he had robbed several Wells Fargo stages but confessed only to the crimes committed before 1879. It is widely believed that Bowles mistakenly believed that the statute of limitations had expired on these robberies. When booked, he gave his name as T.Z. Spalding. When the police examined his possessions they found a Bible, a gift from his wife, inscribed with his real name.

The police report following his arrest stated that Black Bart was “a person of great endurance. Exhibited genuine wit under most trying circumstances, and was extremely proper and polite in behavior. Eschews profanity.”

Wells Fargo pressed charges only on the final robbery. Under the name T.Z. Spalding, Black Bart was convicted and sentenced to six years in San Quentin Prison, but his stay was shortened to four years for good behavior. When he was released in January 1888, his health had clearly deteriorated owing to his time in prison. He had visibly aged, his eyesight was failing, and he had gone deaf in one ear. Reporters swarmed around him when he was released and asked if he was going to rob any more stagecoaches. “No, gentlemen,” he replied, smiling, “I’m through with crime.” Another reporter asked if he would write more poetry. Bowles laughed and said, “Now, didn’t you hear me say that I am through with crime?”

Black Bart’s end is in keeping with the way the romantics of his day would have wanted it. Charles Bowles never returned to his wife, Mary, in Hannibal, Missouri, after his release from prison. However, he did write to her after his release. In one of the letters he said he was tired of being shadowed by Wells Fargo, felt demoralized, and wanted to get away from everybody. In February 1888 Black Bart left the Nevada House and vanished. Hume said Wells Fargo tracked him to the Palace Hotel in Visalia. The hotel owner said a man answering the description of Bart checked in and then disappeared. The last time the outlaw was seen was February 28, 1888.

On November 14, 1888, another Wells Fargo stage was robbed by a masked highwayman. The lone bandit left a verse that read:

So here I’ve stood while wind and rain
Have set the trees a-sobbin,
And risked my life for that d***ed box,

That wasn’t worth the robbin.

Detective Hume was called to examine the note. After comparing it with the handwriting of genuine Black Bart poetry from the past, he declared the new holdup was the work of a copycat criminal. There were rumors that Wells Fargo had paid off the aging bandit and sent him away to keep him from robbing their stages. However, Wells Fargo denied this. Some believe that Bowles moved to New York City and lived quietly for the rest of his life, dying there in 1917, though this was never confirmed. Others believe the unlikely tale that the former poet bandit with failing eyesight had gone to the wilds of Montana or perhaps Nevada for another try at making a fortune.

Nevertheless, the vanishing of Black Bart is a mystery, a legend that looms over the west, like a gentle mist across the sky. Undoubtedly the way Black Bart would have wanted it.

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Categories: Civil War, History, Legend Series, Western, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 4 Comments

Western ePulp’s the modern pulp magazine, What……..?

Posted by: Ritchie White @shotgunborivers

Pulp magazines were originally published from 1896 through the 1950s. The typical pulp magazine was seven inches wide by ten inches high, half an inch thick, and 128 pages long. Pulps were printed on cheap paper with ragged, untrimmed edges. The term pulp derives from the cheap wood pulp paper on which the magazines were printed. Magazines printed on higher quality paper were called “glossies” or “slicks”. In their first decades, pulps were most often priced at ten cents per magazine, while competing slicks were 25 cents apiece. Pulps were the successor to the penny dreadfuls, dime novels, and short fiction magazines of the 19th century. Although many respected writers wrote for pulps, the magazines are best remembered for their lurid and exploitative stories and sensational cover art.

Western Story Magazine was a pulp magazine published by Street & Smith, which ran from 1919 to 1949.It was the first of numerous pulp magazines devoted to Western fiction. In its heyday Western Story Magazine was one of the most successful pulp magazines; in 1921 the magazine was selling over half a million copies each issue.

Western Story Magazine began when Street & Smith executive Henry Ralston decided to convert one of the company’s nickel weeklies, New Buffalo Bill Weekly, into a pulp.  Ralston installed Frank Blackwell as editor of the new magazine. The magazine attracted a number of famous Western authors, including Charles Alden Seltzer, H. Bedford-Jones, Stewart Edward White, W. Ryerson Johnson and William MacLeod Raine. The November 25th, 1920 issue was the first issue to carry the work of Max Brand (writing under the pseudonym George Owen Baxter). Brand’s work would dominate the magazine in the next decade; he would write dozens of stories for Western Story Magazine both under his own name and several pseudonyms. Western Story Magazine was also prominent in publishing material by women writers, including B. M. Bower and Cherry Wilson.

In the 1930s, the publication’s roster of authors expanded to include Walt Coburn, William Colt MacDonald and W. C. Tuttle, while noted pulp illustrator Walter M. Baumhofer contributed several covers.

In the late 1930s, Blackwell was succeeded as editor by John Burr, who edited the magazine until it ceased publication in 1949.  to read more about the original western pulps visit The western Story on pulpmags.org.

https://i0.wp.com/api.ning.com/files/D1*nxuy077RsofWSz5UE-rGqy6yNy--oewMzw6URuDGoHvkP8AgcCHmg0*ALTYoWzU7AnTQas4NaUV*fwYe78zkIupwyzqdh/Vol3cover.jpg

A new chapter in the western pulps has arrived in ePulps, Well what in tarnation is an ePulp?

Well,I’ll tell ya, as explained on Rope and Wire  an ePulp is a western magazine in the style of the old western pulps like, Ace-High, Cowboy Stories or Zane Grey Western Magazine, however in electronic format. Since 2011 Rope and Wire has published four wonderful ePulps. They have the same great covers as the old pulps once did, and new stories come alive once again in each one to tell the traditional style stories of the old west, the danger, suspense, intrigue and deception as they do in Christopher Scott’s Rope and Wire’s Western Short Stories

What does the future hold for ePulp’s, will they continue to make a comeback? I know I plan on reading them, and after doing some research, I may attempt to even write one.

What are thoughts and comments on the ePulp?  Will you read them?

Categories: Western, Western Authors, Writing, Writing Technique | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 5 Comments

Secession in the States, Lincoln Vs. Obama

Alongside the Old West, I love History, especially American History from the 1700’s to early 1900’s. Four, major war’s were fought on American soil, The Revolutionary War; The War of 1812; The Civil War and the American Indian Wars.

There are many reasons why we fought the Civil War, however two major causes come to mind, the Secession, and the election of Abraham Lincoln. I am Looking back at this information for my newest installment to the Laramie Taylor Series, as it is about the Battle of Wilson’s Creek, a battle fought in Missouri. While looking back, I can’t help but notice the similarities in present day. Today the country is separated again, economically challenged and after the reelection of Barack Obama there are 44 states that have filed secession petitions with the “We the People” program on the White House website. Containing 841,903 signatures, and asking to secede from the Union.

A threshold of 25,000 signatures must be met within 30 days for petitions to be reviewed. The Obama administration explains, “If a petition meets the signature threshold, it will be reviewed by the Administration and we will issue a response.”

With Texas in the lead having 114,969,  a half dozen other states have also made the 25,000 mark, and others are gaining.That is a whole new meaning to history repeats itself, and I am a firm believer of that. My question is will it come to pass a separate state? Will the South rise again? Will the Confederate states of America be reborn? Will Obama Administration begin listening to the nations people? Will they even comply and look at the petitions as they have stated? We all know how the government states they will do something and completely do another. Or will they invade our own country and cause the 2nd American Civil War? and most importantly should those of us that have signed the petition worry? Questions fill my mind second after second when I think about it. As a military man I have duty to god and country, however, my duty begins first with my home, and my family, they will be protected long before I stand for the Union. Does that make me a traitor? in my firm belief our government is to mixed up, and certainly not the one I fought for, and it is my declaration to fight for just cause, fight for my freedom, and for my constitution, which those in power are stripping away, with that it is my hypothesis that I am not of any kind a traitor, I am a man that believes in freedom, and will fight for it until the end.

What I want to know is will you all do the same? Will you fight for freedom, or follow a socialistic, power hungry government because you feel there is nothing left you can do? Will you stand for just cause, and for your families? Will you fight a Civil War, if it comes to pass?

As the founding fathers of the United States of America made clear in the Declaration of Independence in 1776:

“When in the Course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Nature’s God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.”

“…Governments are instituted among Men, deriving their just powers from the consent of the governed, that whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or abolish it, and institute new Government…”

Here’s a list of states where residents have filed secession petitions in recent days: Alabama, Alaska, Arizona, Arkansas, California, Colorado, ConnecticutDelaware, Florida, Georgia, Idaho, Illinois, Indiana, Kansas, Kentucky, Louisiana, Michigan, Minnesota, Mississippi, Missouri, Montana, Nebraska, New Hampshire, New Jersey, New Mexico, New York, Nevada, North Carolina, North Dakota, Ohio, Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South Dakota, Tennessee, Texas, Utah, Vermont, Virginia, West Virginia, Wisconsin and Wyoming.

Categories: Civil War, Current Events, Laramie Taylor Series, Western, Western Authors | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 1 Comment

Heroes and Antiheroes in Westerns (Guest Post By Mathew Pizzolato)

We all have our heroes, some mystical, others superheroes, but me it was the outlaws and lawmen of the Old West. As an adult I still have those heroes, and in having them it fuels me to write at my best. Today as Matthew Pizzolato launches his book release  for Outlaw, he stops by to tell us who his heroes are, and compares heroes to anti-heroes in westerns. Welcome Matthew, thanks for dropping by.

“As you get older it is harder to have heroes, but it is sort of necessary.”
Ernest Hemingway

Western Author Matthew Pizzolato

I think that every child needs to have direction in life, something to emulate and admire and to strive to be.  Quite frankly, everyone needs heroes.  As a young man, I found my heroes by reading Westerns.

Mostly, I read Louis L’Amour but I partook of many others, from Max Brand and Zane Gray to Loren Estleman and Elmore Leonard and everything in between.  If it was a Western, I read it or watched it on the screen.  My heroes were Louis L’Amour, John Wayne and Clint Eastwood and the characters they portrayed.

The earlier Westerns told stories of right and wrong and the heroes of the genre lived by a black and white code of good and evil.  There was no middle ground, and there is nothing wrong with that kind of story.  In fact, I prefer them because it’s what I grew up reading.

However, beginning mostly with the films of Clint Eastwood, a new type of character was introduced into the Western, the antihero.

While there are still similarities to the Western hero of old, there are some vast differences.  Antiheroes are flawed characters.  They are not perfect and don’t pretend to be, but they still possess heroic qualities.

Like the hero, the antihero possesses honor and loyalty, but may on occasion step outside moral boundaries that a hero cannot.  Sometimes their integrity may be called into question, but there is always a line that the antihero will not cross.

It is that aspect that opens areas of new storytelling for writers because instead of the moral unequivocalness of telling stories in black and white, the gray areas of morality can be explored.  I think that if writers want to create fresh and exciting material for readers, it’s going to be in that gray area and not rehashing the same stories that have already been told.

That is what I have tried to do with Wesley Quaid, the antihero protagonist of Outlaw.  He is a bank robber who has killed plenty of men and done some things he’s not proud of, but he is still a man of honor and loyalty.

Heroes provide examples of the kind of people we should strive to be even though we might not be able to.  As humans, we are inherently flawed and so perhaps we can identify more with the antihero.

Perhaps in the future, we should mix a fair amount of antiheroes into our Westerns.  We still need heroes to emulate because as humans we have to be able to strive toward something, but part of the joy of reading is the escapism it provides, so we need characters that we can identify with also.

Outlaw Book Link on Amazon:

http://www.amazon.com/dp/B009GDDGU8

BIO:

Matthew Pizzolato is a member of Western Fictioneers. His fiction has been published in various online and print magazines. He writes a weekly NASCAR column for Insider Racing News and can be contacted via his personal website:

http://www.matthew-pizzolato.com.

Contact Links:

http://www.facebook.com/authormatthewpizzolato

https://twitter.com/mattpizzolato

http://www.goodreads.com/author/show/5837035.Matthew_Pizzolato

OUTLAW Book Description:

The outlaw Wesley Quaid wants to put the past behind him and start his life anew in another place where no one has ever heard of him.  When a mysterious woman he once knew resurfaces, Wesley discovers that a man can’t run from his past anymore than he can run from the kind of man he has become.

To view or purchase Outlaw today visit Amazon.com.

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National Day of the Cowboy Free Ebook Giveaway

In honor of the the NDOC National Day of the Cowboy, myself and Mathew Pizzolato are having a free Ebook giveaway all week long Beginning July 23rd, and ending July 29th. As part of our appreciation to the American Cowboy, we want to give back to our readers. I will be giving 20 copies of My brand new self-published Ebook “Laramie’s Code”, 2 per day and Mathew copies of his Ebook “The Wanted Man”.

To be added in a random drawing please comment on any of the blog posts during this weeks National Day of the Cowboy blogathon, and we will announce the winners July 30th. Good luck to any and all of our participants.

Categories: Cowboy Code, Current Events, Western, Writing | Tags: , , , , , , , , , , , , , , , , | Leave a comment

I want to thank My long time Best Friend Tim Bultman for joining our cause to support the National Day of the Cowboy. There have been many of times Tim has helped me along the way, and to me he is a true cowboy, and friend. PALS

Cowboy With A Cause

I am proud to announce that I have joined my long time friend Shotgun Bo Rivers “Ritchie White” for supporting the National Day of the Cowboy, and will be hosting blogs on my website all week next week alongside my PAL.

As Cowboys, our way of life means a lot to us, our code is what we follow each and everyday, many have said that the Cowboy is a dying breed, however I am just one cowboy that says we are here to stay.

We are in your homes on ESPN when you tune in to watch the NFR’s. or at a small town rodeo on Friday nights. We are your guide, when you vacation at a dude ranch, and most of us that live the life of a cowboy know we are still here, and our heritage is here to stay along with us.

Sure we may travel is…

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Western Genre a New Rising.

I am a western fiction writer/author, and I spend a great deal of time just researching the western genre, and what I read about our genre is more on the dying side than on the rise. I would like to ensure that our genre has not died; in fact, I believe that it is making its new rising.

The Legend of Hell's Gate: An American Conspiracy

I read today, a blog posted last November about the western genre dying titled The Slow Death of the Western Genre (in honor of BigBlackHatMan) which you can read from the link provided. The article began to say that there were very few western genre films in the 90’s, and the western genre began to die off in the 80’s, unless it was a crossover. Disgruntled with knowing it was not very true I did some searching of my own, and in my search, I found several movies, which the blog author failed to mention, as well as the people that commented on the post as well.

I began with the big screen and yes, it starts where our blogger left off at Back to the Future III, which was a crossover western, yet many western films were not mentioned. Movies  like Dances with Wolves, Quigley Down Under, Young Guns II, The Last of the Mohicans, Unforgiven, Tombstone, Rio Diablo, Frank and Jesse, Legends of the Fall, Wyatt Earp, Desperado, Wild Bill, Riders of Purple Sage, Gunfighter, Purgatory, as well as Silverado starring actor/author, and a new found pal Ken Farmer, and this list goes on and on. Did we forget about Emilio Estevez, and his boyish looks as Billy the Kid, and certainly forgot about Kurt Russell in Tombstone, and Kevin Costner in Wyatt Earp.

Young Guns II

This is why it disgruntled me so much that so many Western films have come into the late 20th and 21st century as well and not even thought of by the author while writing this blog. Written in 2011, I was amazed that neither he nor any of the comments mentioned 3:10 to Yuma, or Jeff Bridges in an awesome performance in the remake of John Wayne’s True Grit.  Counting from 2000 to 2012, I have counted nearly a dozen westerns that were solely of the old west, which proves, the Old West is not in the grave just yet, with a new film just  released March 3oth, 2012 The Legend of Hell’s Gate: An American Conspiracy.

As a western writer, and author I wanted to include Western Fiction books, I see countless books published in the western genre all of the time, from titles like Yuma Gold by Steven Law, and The Devil in a Bottle by Carol Buchanan, as well as so many others, I could spend days just listing them . Even coming into a digital age not long ago, I can count dozens of western books available on Kindle, the IBook store, and Nooks, which brings a completely new breed of some great western genre authors.

Also noted in the blog above was the fact that the reason not many were interested in the genre anymore was the age of space, and fantasy, and yes possibly the age of space, science fiction, and fantasy has taken us by storm. Maybe if Jeff Bridges Sparkled in True Grit, we might just get the media to agree we as a genre are still on the rise.

The Pony Express

Our history is built from the Old West, and without it, there would be no Boomtowns, which led to a railroad and later Hollywood, so why not keep it alive, has the media forgotten, that media itself originated by means of The Pony Express, which has a rich history in itself in the Old West. I think they should look our way more often than they do, and notice that we are a rising genre as like any other genre. It seems we are only in the mainstream media when it is to review us as a dying entity, yet more and more westerns have come, and are coming.

Here on Shotgun Bo Rivers Blog, the Old West will never die; at least while I am alive and kickin, here at Bo’s place there will always be a spot for a good western genre story, book, or movie.

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Welcome to Shotgun Bo Rivers

With great pleasure I bring to you a fresh, clean, and exciting  look to Shotgun Bo Rivers, The Old West in the 21st century. This month marks my two year mark for being a self-published author and blogger, and this week my Ebooks are finally available for purchase and are in good format, which I have Mark Coker to thank for his wonderful Ebook Smashwords Style Guide.

I want to personally thank everyone that has guided, coached, helped, and supported me through the past two years, I can actually say I am still plugging away, I have a lot more to learn, and a whole lot more to offer the Western Genre community, readers and authors alike. I hope that those of you that have helped me in one way or another will still hang in there with me as I reach for the stars.

I also begin Dan Blanks, Build an Author Platform course this week and I am super excited. to get that under way.

Nonetheless without further ado, I Bring you Shotgun Bo Rivers, The Old West in the 21st century. be sure to visit my Facebook page for a special welcome link that I built just for you.

Categories: Writing, Writing Technique | Tags: , , , , , , , , , , , , , , , | 2 Comments

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